Rick Faris, Shawn Horn, and Horn #1 – photo © Kylee Jones

At the children’s tent during the 2025 Oklahoma International Bluegrass Festival, The Horn Family, Edmond, OK bluegrass band, were entertaining about 100 children from local schools, when Shawn Horn began to talk about his guitar. For some time, Shawn’s children had been giving their Dad parts and pieces to custom build his ultimate guitar.

Shawn shared why the neck of his guitar had his name, Horn, inlaid on the headstock. A few seconds in one breath, Horn relayed that he had traveled to Kentucky to have Rick Faris build his very own guitar. This is where being at the right place at the right time begins.  Strolling down the Cottonwood flat gravel road which turned into a dirt road, there underneath a canopy gathered in a circle of musicians were Rick Faris and Shawn Horn and his guitar.

Rick Faris, the outstanding bluegrass musician, has another chapter tucked away in his life’s repertoire. He has also established himself as a distinguished figure in the world of guitar making, renowned for his commitment to craftsmanship and innovative designs. With a rich background, Faris has cultivated a unique approach that blends traditional luthiery techniques with modern sensibilities. His guitars are not only instruments but also works of art, reflecting the passion and dedication that he pours into every creation. He also offers instruction for those interested in learning to build guitars.

With a unique blend of artistry and craftsmanship, Faris has spent decades perfecting the art of crafting guitars that musicians adore. From custom builds to vintage-inspired designs, his instruments echo both innovation and tradition.

Born into a family that appreciated music, when Rick Faris initially picked up a guitar a spark was ignited to fulfill a lifelong passion for stringed instruments. Growing up messing with old wooden furniture and picking bluegrass, he soon realized that part of his true calling lay in merging these two passions. Influences from legendary guitar makers and musicians shaped his vision, leading him to explore the intricate relationship between sound and craftsmanship.

After years of honing his skills, Rick finally took the plunge and established his workshop—a cozy haven for creativity and craftsmanship. Nestled in a convenient locale (far enough from distractions, but close enough for pizza delivery), his workshop has become a sanctuary where dreams are transformed into reality. With each corner lined with tools and woods, and walls adorned with inspirations, the workshop buzzes with the sweet sounds of ingenuity.

When it comes to his craft, Rick’s motto can be summed up in two words: “No shortcuts.” From the precise measurements to the final polish, each step is executed with meticulous care. He believes that the magic lies within the details, whether it’s selecting the right grain pattern or ensuring that every fret is perfectly aligned.

The Horn guitar was set into motion, simply from a phone call of interest to talk to Faris. Shawn headed to Kentucky, wood and parts tucked safely away. Horn, a retired firefighter, wanted the Maltese cross insignia inlaid on the fingerboard. Faris was happy to oblige as the duo designed the crosses of mother pearl. On the headstock of the guitar, was HORN, not Faris, as Rick likes for his students to name their own instrument. On the inside of the guitar, was a signature and the number “1.”  

In an age of mass production, Rick remains firmly rooted in hand-built techniques, believing that there’s a soul in handmade guitars that machines simply can’t replicate. His skilled hands shape and carve each piece along with the student. Together they create unique instruments that resonate with character and individuality. Every strum tells a story, a testament to the painstaking process that goes into each one.

To create the perfect sound, Rick knows that the right materials are essential. With a discerning eye and a love for quality, he sources only the finest woods and materials, ensuring that his guitars not only sound incredible but look stunning too.

Rick Faris approaches wood selection like a fine chef selecting ingredients. He hunts for rare and beautiful woods, from the resonant depths of mahogany to the bright harmonics of spruce. Each type of wood is chosen not only for its aesthetic appeal but for its acoustic properties, allowing for a vibrant and rich sound that resonates with musicians worldwide.

While holding fast to handmade traditions, innovation is also at the heart of Rick’s methods. He combines time-tested techniques with modern science, exploring audio dynamics to enhance his designs. Whether it’s experimenting with bracing patterns or applying unique finishes, each guitar reflects his ongoing quest for excellence. Faris isn’t afraid to push boundaries, making sure that every guitar surprises players with its responsiveness and sound quality.

These designs have evolved considerably over time, and mirror his growth as an artist and his response to the changing landscape of music.

At the core of Rick’s designs is a philosophy that marries functionality with beauty. He believes that a guitar should be a joy to play, in terms of sound, aesthetics, and the art of technique. This philosophy leads him to create instruments that not only excel in performance but also serve as visual masterpieces that musicians are proud to showcase.

One of the most alluring aspects of Rick Faris guitars is the wide range of customization options available. Musicians can choose from a variety of woods, finishes, and even inlays. Want a striking abalone rosette? Done. Prefer a matte finish over gloss? No problem! Faris also offers personalized neck profiles and pickup configurations, allowing players to tailor their guitar to their exact specifications. It’s like having a bespoke suit, but for your music!

Rick Faris is more than just a guitar maker; he’s a cultural ambassador for luthiery. Through workshops and demonstrations, Faris promotes the art of guitar making as not only a craft but a vital part of the music community, encouraging musicians to appreciate the artistry behind each instrument, and that’s not even touching his talent as a bluegrass singer/songwriter with multiple IBMA titles.

Taking on the mantle of mentor with ease, Rick is nurturing the next generation of luthiers with grace and humor. By offering apprenticeships and sharing his wealth of knowledge through seminars, he’s shaping the future of guitar making, one aspiring luthier at a time. Many of his mentees now carry forward his philosophies, emphasizing the importance of meticulous craftsmanship and a deep respect for the music they help create.

Shawn Horn raves about his guitar, citing the impeccable sound quality and playability as reasons. “Playing a Faris is like finding an old friend—comfortable, reliable, and always ready to bring out your best,” says Shawn. Horn also noted the attention to detail and unique tonal qualities as a reason to own a Faris guitar. “It’s more than just a guitar; it’s a conversation starter.”

As Faris’s reputation grows, so will the value of his instruments, with some models becoming coveted items that collectors can’t resist adding to their troves. At this point, only 52 exist in total.

As we talked, Faris teased some exciting upcoming projects, including a limited edition line. Plus, he has collaborations in the works that promise to merge artistry and technology in ways that will leave guitar enthusiasts buzzing.

He envisions a future where guitar making is accessible to all, fostering a deep appreciation for craftsmanship within the music community. He’s advocating for educational programs that teach both the technical and artistic aspects of luthiery, ensuring that the craft continues to thrive. With a commitment to sustainability and quality, Rick Faris aims to redefine what it means to be a guitar maker in the modern age, one string at a time.

At the end of this interview, Faris picked up #1 Horn, and picked a few as all those around were mesmerized by the rhythmic sounds.  

In conclusion, Rick Faris stands as a testament to the enduring art of guitar making, merging tradition with innovation to create instruments that resonate with musicians everywhere. His unwavering dedication to quality and craftsmanship has left an indelible mark on the industry, inspiring both aspiring luthiers and seasoned players alike. As he continues to evolve and push the boundaries of his craft, the future looks bright for Rick Faris and the legacy of his exceptional guitars.

Find out more about Rick and Faris Guitars online.

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Rick Faris at the 2025 Oklahoma International Bluegrass Festival – photo © Pamm Tucker

Back in 1996, Byron and Bette Berline had a dream, a dream to bring a festival featuring bluegrass music to their hometown of Guthrie, OK.

With tons of inspiration, and a lot of hours of sweat and preparation, the Oklahoma International Bluegrass Festival blossomed into the must see bluegrass event in Oklahoma. Facing one of three stages, an attendee holds the opportunity to visually see the entertainers, the greatest IBMA recipients of honors, and the unannounced professionals of the future each year.

Held with a picturesque background in the Cottonwood Flats campground, and an occasional train whistle in the background, the sound of bluegrass vibes collide with the crushing heat of the Oklahoma prairie, providing those attending a cultural experience like no other. 

OIBF is always held the second weekend in October, allowing some of the sweltering heat to dissipate, but in 2025 fall was nowhere in sight as the temperatures soared into the 90s during the day. Amongst the heat, you might have found flip-flops, umbrellas and cool refreshments, (maybe even a lil sweat), but you never had a problem locating outstanding bluegrass music.

The mission of the Oklahoma International Bluegrass Festival is simple yet profound: to promote bluegrass music, support local musicians, and create a welcoming atmosphere for fans, newbies, and everyone in between. OIBF serves as a vibrant platform for artists to showcase their talents while fostering friendships that are as strong as a well-tuned string.

The festival is an internationally recognized event. Expanded stages – three located far enough apart you have no sound bleeding over – a diverse lineup, and the introduction of various non-musical activities transformed the festival into a full-blown celebration of bluegrass culture.

The endowment fund is really what is all about. Barry Patton shared with me, Berline’s nephew and International Bones Champion, “The scholarship program plays an extremely important role in the success of the festival.” Annually, a silent and public auction event takes place on the Byron Berline stage. The bidders were sure hungry this year for a Triggs blonde mandolin, and the handmade knives from a local artisan. Every cent of the money raised goes directly into the scholarship program which allows children up to 18 to learn to have music lessons.

Workshops for kids showcased the joy of music, while adult sessions focused on the craftsmanship behind bluegrass instruments. This commitment to community involvement not only encourages a new generation of musicians but also strengthens ties among festival-goers and local residents.

This year, the festival showcased standout performances from legends of the genre like Alan Munde, Rob Ickes & Trey Hensley, and the Slocan Ramblers, joined by fan-favorites Rick Faris, whose infectious energy had everyone two-stepping through the grass. The thrilling blend of classic bluegrass with contemporary twists set the stage on fire, keeping the audience on their feet—at least until they needed to sit down for a nice cold drink. 

Attendees had the chance to dive deeper into the music through a variety of workshops. Options included instrument-specific classes (banjo, mandolin, and guitar), songwriting sessions, and improvisation techniques. Whether you were a seasoned player or just strumming your way through the basics, there was something for everyone to improve their skills—or at least to have a good laugh trying!

Guitar and banjo instructors were Alan Munde, Jonathan Hunt, Beppe Gambetta, Sam Grounds, Rick Faris, Trey Hensley, Frank Evans, and Gibson Davis. A songwriters workshop, held at the Cottonwood stage, was taught by instructors Blake Parks and Michael Henneberry.

For fiddle and mandolin, instructors were Shelby Eicher, Andrew Hunt, Henry Burgess, Sam Parks and Hayes Griffin. With years of experience and a wealth of knowledge, these instructors turned each workshop into a dynamic learning experience filled with useful tips, personal stories, and maybe a few friendly jokes along the way. Their enthusiasm was contagious, inspiring participants to embrace their musical journeys—whatever that may look like!

The Fretliners were headliners Thursday evening. The technique and sound of this progressive bluegrass band is quite impressive. Their chemistry, harmonies, and songwriting skills contribute to their show-stopping performances, not to mention their all original music. With back-to-back wins in 2023, they won the band competitions at Telluride and Rockygrass.

The Slocan Ramblers from Canada were the icing on the cake on Friday evening. 2020 IBMA Momentum Band of the Year Award Winners and 2019 Juno Award Nominee, The Slocan Ramblers lay it all out of the stage, with perfect harmonies that are rooted in bluegrass tradition with a daring dynamic sound.

Headliners Split Lip Rayfield made their OIBF debut in 2025. One of the unique and rare things about this trio, is the bass. It’s made from a 1978 Mercury Grand Marquis gas tank, fitted with hickory outposts and strung with a single weedeater cord.  After researching and digging deeper I found where they are recognized as cow punk, with a little bluegrass in their bones.   Based out of Kansas with an extremely loud following, they left me wondering, “is this the new ‘punk’ grass?”

Performers over the weekend included Rob Ickes & Trey Hensley, Alan Munde, Cowboy Jim Garling, Tom Pevear, Barry “Bones” Patton, Hunt Brothers Band, Bottom of the Barrel, Beppe Gambetta & Hayes Griffin, Little Big Twang, Rick Faris Band, and Tornado Rose.

 With the sun shining and a gentle breeze blowing, the festival atmosphere was as vibrant as the music itself. Attendees wandered through vendor stalls selling everything from handmade banjos to mouth-watering BBQ, all while enjoying the soothing strains of bluegrass wafting through the air. Families picnicked on the grass, friends danced along to the tunes, and the overall vibe was one of unity and joy—exactly what bluegrass is all about.   

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Bowie, TX is more than just the home of the world’s largest Bowie knife. The first Saturday in October it becomes a fiery fiddlin’ contest spot. The town is situated along US Highways 81 and 287, and was established as a railroad town in 1881, named after the famed Texas revolutionary, Jim Bowie.

The Chicken & Bread Days Fiddlers’ Championship Contest celebrated its 30th year in 2025. Established to honor local musicians and entertain audiences, the contest has grown into a vibrant festival that attracts talented fiddlers from near and far to win their first place belt buckle. The contest first took center stage in 1995, when a passionate group of musicians and local residents decided that life needed a little more fiddle music—and a lot more chicken. Their goal was simple: to create a platform for fiddlers to showcase their talent while fostering a sense of community. Spoiler alert: they succeeded! 

Over the past three decades, the Chicken & Bread Days Fiddler’s Championship Contest has hit some impressive milestones. From the inaugural event that attracted a handful of participants to the bustling highlight of this year with hundreds of competitors, it’s safe to say this contest has sawed its way into people’s hearts.

Many fiddlers have stood center stage at this event, soaking up the applause, and have gone on to inspire a new generation of fiddlers. Marty Elmore  is just one of many that remind us of the incredible talent that graces this stage. These memorable moments not only showcase incredible talent but also create lasting memories for both performers and audience members alike.

This year, Bowie hosted  a remarkable lineup of contestants who were ready to showcase their skills and charm the audience with their fiddling finesse. Among the contestants was 14 year old Tristan Paskvan, a whiz who has amassed more buckles, titles, and awards many twice his age. Then there’s Wes Westmoreland, a legend whose foot-tapping tunes have made him a staple at every fiddle gathering. With his signature hat and playful banter, Wes, a four-time national champion, seven-time Texas Champion, four-time Texas Old Time Fiddler’s Association champion, and has finished in the top three at Weiser, knows how to keep both the competition and the crowd entertained!

And, Wes did that again in 2025. As he and Roberta Rast took home the title of twin fiddle champions. Rast is a world-champion fiddler who hails from Boise,ID, where she grew up in a family of accomplished fiddlers. She has competed on the fiddlers convention circuit since the age of five, and has won numerous awards and competitions, including: first place at the 2004 World Fiddle Championship in Crocket, TX, six-time National Fiddle Champion at Weiser, ID, first place at the 2005 Grand Masters Fiddle Championship in Nashville, TN. Rast has also performed twice on stage of the world-famous Grand Ole Opry. Roberta lives in Dallas, TX, plays custom-made five-string fiddles and is an active member of the Texas Old Time Fiddlers Association (TOTFA).

While our seasoned contestants steal the spotlight, you had to keep your ears perked for some rising stars. Young fiddlers like Texas native Jude Steward, and Riley Buttress from Missouri, are ready to break out of the shadows and into the limelight. Jude has already made a reputation for her innovative blends of traditional and contemporary styles, while Riley’s infectious enthusiasm and knack for improvisation have been turning heads at local jam sessions and contests in Missouri and Oklahoma. Get ready, world—these kids are bringing the heat!

The Chicken & Bread Days Fiddle Contest thrives thanks to the generosity of generous sponsors and local businesses. From instrument shops to sandwich shops, the community has stepped up in a big way. It’s a classic example of “it takes a village” — or, in this case, a village that really likes music and chicken sandwiches.

Judges in 2025 were: 

Dale Morris Sr: Dale won his first fiddling contest in 1967 and was bitten “by the bug” so to speak. He became an avid participant in fiddling contests across the prairies of Texas, and in 1972 won his first Texas State Championship. A repeat event for him in 1973, 1978, and 1979, Dale has won several other prestigious contests since. In 1979, he held the title of World Championship fiddler, Crockett, Texas, The Super Bowl of Fiddling in 1979, Colorado State Champion in 1986, and The Western Open Old Time in 1990. Dale has had the honor of serving as judge in many of our nations most prestigious fiddle contests.

Katie Elmore: Katie (Crawford) Elmore grew up in Burleson, TX and celebrated her fifth birthday by attending her first fiddle lesson. Two years later, she played in her first fiddle contest at the Red Stegall Youth Fiddle Contest in Fort Worth, TX, winning third place with the tune, Dill Pickle Rag. Katie started attending various music camps and workshops where she met and learned from influential fiddle figures and mentors, including Marty Elmore, Randy Elmore, Wes Westmoreland, Roberta Rast, and Johnny and Dick Gimble. Having been an active board director in the Texas Old Time Fiddlers Association (TOTFA) since 2019, Katie was elected President in 2024. 

Nathan Pedneault: Pedneault is no stranger to the fiddle scene. At the age of four, Nathan began his journey with the fiddle, in spired by his friend Ridge Roberts. Due to his small stature at the time, he began on a 1/16, or 1/32nd fiddle, which was a little scratchy, but all that scratching has really paid off as Pedneault holds championships and titles from surrounding states.  His passion for the fiddle grows stronger everyday.

Winners for the 2026 Chicken & Bread Days Fiddle contest were:

Senior Division:

1. Randy Elmore
2. Paul Simmons
3. Eddie Davis
4. Ed Henson
5. Gene Brown

Youth (0-18)

1. Tristan Paskvan
2. Jude Steward
3. McKenna Peterson
4. Clara Mitchell
5. Luke Moody
6. Riley Buttress

 All youth participants received a medal for participation.  

Young Adult Division:

1. Carissa Miller
2. Rebecca Price
3. Sadie Gaylord
4. Kyle Pence

Age 41-64 Division

1. Wes Westmoreland
2. Jason Andrews
3. Amy Peterson
4. Cindy Scaggs
5. Jason Crisp
6. Bill Tuckness

Twin Fiddle Division

1. Roberta Rast & Wes Westmoreland
2. Randy & Marty Elmore
3. Amy & McKenna Peterson
4. Jude & John Steward

Accompanist Division

1. Drew Miller
2. Jacob Johnson
3. Nick Guillentine
4. Ryan Elmore
5. Eb Steward
6. Marty Mcphearson

The Chicken & Bread Days Fiddler’s Championship Contest includes a category where all divisional winners (first and second place) from each class participate for the Bowie Knife Trophy. Players perform only one tune of choice, and it is the pinnacle of the awards in the competition.

Grand Champion Overall

1. Tristan Paskvan – Bowie Knife trophy
2. Wes Westmoreland
3. Randy Elmore
4. Carissa Miller
5. Jason Andrews
6. Jude Steward

Congratulations to all the winners!

The post Chicken & Bread Days celebrates 30 years of fiddlin’ in Texas appeared first on Bluegrass Today.

Sister Sadie at the 2025 Bluegrass & Chili Festival in Oklahoma – photo © Pamm Tucker

The 2025 Bluegrass & Chili Festival in Tahlequah, OK promised to be an unforgettable celebration of music, culture, and culinary delights, attracting enthusiasts from all over the region. Set against a backdrop of lively bluegrass tunes and the tantalizing aroma of chili, this year’s festival featured an impressive lineup of artists, a competitive chili cook-off, and a variety of engaging activities for all ages.

Held in the Tahlequah town square amongst the Ozark Mountain foothills, promoter Dell Davis always immerses her whole self in putting on one of the top free festivals anywhere.

Headliners like the Grammy-winning Sister Sadie, Rhonda Vincent & The Rage, and The Cleverlys, plus The Grascals, came full force and with their foot-stomping rhythms and heartwarming melodies, had people dancing in the streets and singing all weekend long.

Dell stated that, “My favorite part of the festival is to showcase our youth. We don’t have a competition, as we want everyone to participate without fear of not winning. It’s a showcase, a special ‘Spotlight on Local’ in the center of Tahlequah, OK.” These rising stars served up everything from traditional bluegrass to a funky new spin on the genre, giving you a taste of talent right in your own backyard. 

While bluegrass is the star of the show, the Bluegrass & Chili Festival offers a melting pot of bluegrass musical styles. This year featured everything from folk rock to gospel-infused bluegrass, and even a touch of country. It’s a musical buffet, and everyone is invited to sample the delightful dishes on offer.

Speaking of sampling, just about a block away from the main stage, the annual chili cookoff offered chili to made your taste buds sing. As expected there was a delightful array of chili styles, from classic beef to vegetarian delights, and even some wild card versions like deer chili. There’s no shortage of flavors at the Bluegrass & Chili Festival. It was like tasting the rainbow of spice!

Family fun was the name of the game. Kids (and, let’s be honest, some adults) enjoyed face painting, bounce houses, and the delectable food trucks which lined the streets.  

 A five out of five, this festival is sure to create lasting connections and experiences. We hope to see you there in 2026, ready to celebrate the spirit of community, and the joy of good times together!

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The 71st annual Cherokee National Holiday Fiddle Contest in Tahlequah, OK is a cherished tradition that brings together musicians, families, and enthusiasts from across the region to celebrate the rich cultural heritage of fiddle music.

This lively event, which is always held over Labor Day weekend, not only showcases the incredible talent of fiddlers of all ages, but also serves as a platform for preserving and promoting the unique traditions of Cherokee folklore. With a blend of competition, community spirit, and artistic expression, the contest promises an engaging experience for participants and attendees alike. This is the kind of event where you can expect your eardrums to be serenaded by fantastic fiddling and your taste buds to be delighted by local delicacies. So, I attended for the music, and ate the food!

The fiddling contest aims to honor traditional fiddle music while providing a platform for both seasoned fiddlers and enthusiastic newcomers. Whether you’re a musician or a listener, the goal is simple: bring people together to celebrate culture, creativity, and, let’s face it, a whole lot of foot-tapping fun!

The Cherokee Holiday Fiddle Contest has been a staple since its founding over seven decades ago. What started as a small gathering of local musicians has transformed into a nationally recognized event attracting fiddlers from far and wide. Over the years, it has evolved, welcoming modern influences while preserving the authentic styles that have been passed down through generations.

The competition is open to all ages and skill levels, making it a true community affair. From tiny tots with big dreams to seasoned fiddlers with medals jingling in their pockets and buckles boasting of their championship status, there is a category for everyone. This inclusive format not only encourages participation but also fosters a supportive atmosphere where everyone can learn from one another—like a musical family reunion, minus the awkward small talk (but there’s always that behind the scenes).

This year’s competitors were set to dazzle audiences with their unique interpretations of classic tunes, and some might even pull off a few jaw-dropping stunts in the NO holds Barred division (I’m talking fiddles behind the back, folks!). 

So, how do judges decide who takes home the coveted fiddle-shaped trophy? It’s all about scoring categories that focus on technique, creativity, and audience participation. Each contestant is evaluated on their musicality, rhythm, and overall impression.

Think of it as The Great Fiddle Bake-Off – only less flour and more fiddling.

The scores will be tallied, and the best of the best will walk away victorious! From introducing new categories to adopting technology for live streaming performances, the event keeps pace with the times while honoring its roots. Innovations like audience voting and workshops for up-and-coming musicians have added a fresh spin to the contest. Change is good—especially when it involves more fiddling and fun!

Mark your calendars and attend this outstanding event in 2026, which is held at the Cherokee Nation headquarters, as well as the home of the United Keetowah Band of Cherokee Indians, located in the foothills of the Ozark Mountains.

2025 winners include:

Junior

1. Josh Wills
2. name withheld (parents choice)
3. name withheld (parents choice)

Pee Wee

1. name withheld (parents choice)
2. Sicily Creekpaum 
3. Scarlett Creekpaum 

Seniors

1. Monte Gaylord 
2. Richard Harness
3. unknown
4. Bill Christianson

Hot Fiddle

1. Trustin Baker
2. Michael Thompson 
3. Josh Wills

Congratulations all!

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Redbud Hill at the 2025 Blanchard Bluegrass Festival – photo © Pamm Tucker

The 14th annual Blanchard Bluegrass Festival in Blanchard, OK, promised to be a vibrant celebration of music, community, and culture. It did not disappoint as it drew bluegrass enthusiasts from near and far, with attendees from Texas, Missouri, and Arkansas as well as Oklahoma.

This year’s festival showcased an impressive lineup of headliners, including the renowned Hunt Brothers, the dynamic Clifftop, the soulful Redbud Hill, rising stars known as The High Road, the beloved Horn Family, and local favorites, The Gray Stone Bluegrass Revival. With a rich history and a reputation for fostering a welcoming atmosphere, the festival highlights the best of our region’s bluegrass music, but also offers a variety of activities for all ages, making it a perfect gathering for families, friends, and music lovers alike.

This yearly gathering is a haven for bluegrass lovers, a place where banjos twang, fiddles saw, and fans of all ages come together to celebrate the joyous tunes that define this beloved genre.

Established 14 years ago, this free, two-day festival was born out of a passion for bluegrass and the desire to bring the community together through music. Over the years, it has transformed from a casual get-together into a must-attend event on the bluegrass calendar—no small feat! The festival gives Blanchard a chance to showcases incredible talent while also promoting local culture and spirit. It’s nearly impossible to resist the call of the banjo when it echoes through the streets of Blanchard.

Let’s Meet the bands that were in the spotlight, starting with The Hunt Brothers

When it comes to bluegrass, The Hunt Brothers bring a blend of traditional sounds with a contemporary twist that’s as refreshing as a cold glass of sweet tea on a hot summer day. With harmonies that could charm the birds from the trees, their captivating performances leave audiences wanting more—because who doesn’t love a good foot-stomping jam session? These two brothers established themselves in Guthrie, OK, playing with Byron Berline and John Hickman.  

Clifftop: Roots and Musical Journey

These guys are not just another bluegrass band; they’re the epitome of musical storytelling. Clifftop takes listeners on a magical journey through their roots, drawing upon a rich heritage that’s as deep as a southern river. Their tunes are steeped in tradition while still feeling fresh, making them a favorite among both old-timers and newbies alike. Phillip Wilson heads up this group of four extremely talented individuals.

Redbud Hill: Unique Sound and Contributions

If you’re searching for something with a bit of spice, look no further than Redbud Hill. Their unique sound combines elements from various genres, creating a bluegrass experience that’s anything but ordinary. With heartfelt lyrics and melodies that can give you all the feels, their contributions to the festival were quite memorable. When it comes to harmonies, this group has the best of them. 

The High Road: Rising Stars in Bluegrass

Watch out, world! The High Road is making waves in the bluegrass scene, and it’s hard to ignore their catchy tunes and magnetic performances. These rising stars aren’t just ready for the spotlight; they’re on a mission to redefine bluegrass for a new generation. Grab your sunglasses, because these talented musicians are shining bright!

The Horn Family: Traditional and Family Heritage

Bringing a delightful dose of tradition, The Horn Family embodies the essence of bluegrass music. Their performances are not only a tribute to family heritage but also a celebration of the stories that bind us all. Expect harmonies that will tug at your heartstrings and an atmosphere infused with love and laughter. After all, family is what bluegrass is all about!

And did I forget to mention that Henry Burgess, of Rick Faris’ band was on hand too! Henry sat in with his old friends, The Hunt Brothers and The High Road. 

The lineup had you dancing in your seat, or standing and clapping, because with this much talent, you won’t want to miss a single act!

What’ goes best with great music? Great food! The festival was bursting with food and vendors that catered to all tastes. Whether you’re craving BBQ, cotton candy as big as your head, locally made beef jerky, or artisan crafts, there was something to keep your belly full and your spirit high. Warning: the temptation to take home more than just a few memories was on hand!

The festival grounds also provided a swing set and playground (with sand) designed for the kiddos, so that it could be enjoyed by all ages.

Blanchard is only about an hour drive from the American Banjo Museum in Oklahoma City, and the home of the NBA Champions, The Thunder.  It is also the hometown of Grammy winner, Jody Miller (Queen of The House, which was the answer to King of The Road, by Roger Miller).  Be sure and grab a pic with her street sign, Jody Miller Avenue, and drive by the Event Center that is named after her. 

There are a variety of accommodations, from cozy motels to charming bed-and-breakfasts, all within less than an hour. Plus, Blanchard offers local shops that offer you the opportunity to walk down memory lane, or tasty country diners where bluegrass musicians gather after a set. There’s plenty to see and do, making this festival a perfect excuse for a mini getaway!

The local communities rally around this festival each year. Local businesses and organizations have stepped up as sponsors, allowing this beloved event to remain free of charge. The city of Blanchard provides golf carts (with cushy seats) driven by volunteers to shuttle you right up to the stage.

In 2026, be sure to put this festival on your “must attend” list.

The post 14th annual Blanchard Bluegrass Festival report appeared first on Bluegrass Today.

American Heritage Music Festival and Grand Lake National Fiddle Fest – photo © Pamm Tucker

The American Heritage Music Festival, a celebration of cultural diversity and artistic expression, was an extraordinary event that showcased the rich tapestry of American fiddle music. At the helm of this ambitious initiative is founder Jana Jae, a distinguished musician and cultural advocate whose passion for preserving and promoting traditional arts has shaped the festival’s vision. Blending music, fiddle contests, and community engagement, the festival aims to inspire attendees while fostering a deeper appreciation for the nation’s cultural roots. 

An annual competition dedicated to preserving and promoting fiddle music is held at Grand Lake, in Grove, OK the first weekend in June, and has been occurring now for 28 years. 

Host Jana Jae hails from the heartland of America, growing up surrounded by the sounds of bluegrass and folk music. She picked up the fiddle at a young age and hasn’t put it down since. Her childhood was steeped in melodies and rhythms that would later inspire her to blend traditional American fiddle music with other styles.

Jana Jae’s career has seen her make countless performances across the globe. She’s not just a fiddler; she’s a musical powerhouse! With numerous albums, radio appearances, and a spot at prestigious venues, her accolades could fill a bookshelf.

As an educator, she has also dedicated much of her time to mentoring the next generation of fiddlers, proving that sharing the gift of music is the real prize. The American Heritage Festival was born from her desire to create a space where people can come together to celebrate their shared history and cultural identities. Inspired by her own experiences and the stories she’s gathered over the years, Jana envisioned a festival that would not only entertain but also educate and inspire. After all, who doesn’t love an event that’s as meaningful as it is fun?

Through her music, she highlights the importance of preserving heritage while encouraging innovation. She’s a bridge between eras, reminding us that tradition isn’t static; it evolves. Her work has inspired many to embrace their roots while also pushing the boundaries of what American music can be.

At the heart of the American Heritage Festival lie themes of inclusivity, creativity, and respect for the diverse cultures that make up the American landscape. This event sticks to core values that advocate for unity and understanding, encouraging attendees to learn from one another while enjoying the rich heritage of performances and art. It’s like a musical buffet where everyone is welcome to sample the best of what America offers!

You can always expect an incredible lineup vying for that grand prize of $1,000 in the Open Division that’ll make you want to dance and sing along. The American Heritage Festival 2025 delivered performances that could left you breathless—and possibly in need of a dance partner.

The festival isn’t just about celebrating culture; it’s also an economic fiesta! By attracting visitors from far and wide, the competition serves as a cash register for local businesses—from hotels to food trucks selling everything from funnel cakes to truck tacos. According to Jana Jae, it has been a catalyst for growth, driving an influx of tourism dollars that helps put a little extra jingle in everyone’s pockets. Not to mention, it turns the town of Grove into a vibrant hub of activity, making it an ideal backdrop for those Instagram moments that will leave everyone asking, “Where’s that?”

But it’s not all about the cash flow; the festival plays a crucial role in promoting awareness of fiddle traditions. It reminds attendees of the importance of preserving heritage in a rapidly changing world—because, let’s be honest, we all love a throwback to the good ol’ days, complete with toe-tapping music, yes?

Now, let’s get real—putting on a festival of this magnitude isn’t all sunshine and confetti. Juggling funding and sponsorships is an ongoing challenge that keeps Jana up at night, probably along with her endless to-do lists. While local businesses often step up to the plate, securing enough sponsorship to cover costs can feel like trying to catch rainbows in a breeze. Despite the hurdles, Jana’s determination shines through, proving that a little creativity can go a long way in keeping the spirit of the festival alive without breaking the bank.

Behind the scenes, organizing the festival is akin to herding cats—if the cats were also carrying tents, food stalls, and musical instruments. From coordinating vendors and managing volunteers to ensuring safety and navigating weather unpredictability, every detail matters. Jana and her team tackle these logistical headaches with the grace of seasoned jugglers, ensuring that every festival-goer has an unforgettable experience.

Looking ahead, Jana is bubbling with excitement about potential expansions and new initiatives for the 2026 festival. Her vision stretches beyond 2025, imagining a festival that evolves and adapts while remaining deeply rooted in cultural authenticity. She hopes to establish partnerships with schools and cultural organizations to introduce future generations to the festival’s values.

Her dream? To create a legacy that not only celebrates our rich heritage but also inspires participation and appreciation, ensuring that the spirit of the event continues to grow and flourish for years to come.

Winners for 2025 were:

Take Me Back To Tulsa

1. Monte Gaylord
2. Tanner Marriott
3. Samantha Williams

Twin Fiddle

1. Samantha Williams Family
2. Monte Gaylord/ Tanner Marriott
3. Carolina Land/Sarah Fellman

Hot Fiddle

1. Monte Gaylord
2. Samantha Williams
3. Tanner Marriott

Senior Division

1. Brent Young
2. Gerry Lay
3. John Blevins

Adult Division

1. Riley Buttress
2. Sydni Cantrell
3. Anna Lang

Open

1. Monte Gaylord
2. Bubba Hopkins
3. Trustin Baker

Junior Junior Division

1. Cicely Creekpalm
2. Izzie Tuttle
3. Maverick Wanger

Junior Division

1. Alexia Creekpalm

Mark your calendars for this great contest festival, and come ready to hear some outstanding fiddling in 2026.

The post American Heritage Festival – 28 years… just like that! appeared first on Bluegrass Today.

The first annual Lee Stoneking Memorial Fiddle Contest, inspired by the passion and dedication of renowned Missouri fiddler, the late Lee Stoneking, marked a significant milestone in the world of traditional music. Held over Memorial Day weekend in a vibrant community setting in Clinton, Missouri, this event brought together talented musicians from various backgrounds to showcase their skills, and celebrate the rich heritage of fiddling, reviving a fiddle contest tradition in Clinton that goes back many decades.

This contest wasn’t just about who can pull off the fastest fingerings or the most impressive vibrato. It’s a heartfelt homage to the rich tradition of fiddling that spans generations. By hosting this contest, local fiddle instructor Junior Marriott brought together enthusiasts, musicians, and listeners, fostering connections, and assisting in keeping the fiddling spirit alive. Plus, let’s be honest—what better way to connect with your neighbors than over some fiery fiddle tunes – and with $7,500 in prize money at stake?

The Lee Stoneking Memorial contest was a toe-tapping success that brought the community together in an unforgettable way. From fierce competition to delightful performances and a lively atmosphere, memories were made, and friendships were formed.

Missouri old time fiddler Lee Stoneking was born in Henry County, Missouri in 1907.  Lee spent most of his life as a farmer near rural Clinton and Blairstown, MO, and raised 10 children and 3 step children, all of them musicians. Lee was known to be one of the best old time fiddlers around, playing for local square dances with his brothers and his children. With smooth bowing and solid timing, he was of the finest of musicians, and his playing influenced many accomplished musicians in Missouri over the years. Known for his kind nature, Lee was happy to share tunes with the younger fiddlers, and jam with them.  He recorded two albums, Echoes of the Ozarks and Missouri Old- Time Fiddling, on which his children played rhythm. He also enjoyed making fiddles and built several over his lifetime.           

Lee passed down his love of fiddling to son Fred Stoneking, born in 1933. Fred was raised in rural Henry County as well, and picked up music from an early age, first learning to play the banjo at the age of 7. He became an accomplished guitar player early on with rock solid timing, and learned to fiddle after serving in the Korean War.  Fred, along with his dad and his siblings, played countless dances in the surrounding area including Blairstown, Urich, and Deepwater. People would drift between dance halls where Lee played at one, and Fred at the other. 

With a distinctive style of bowing, Fred is considered to be a master fiddler with a large influence on Missouri old time music.  He was also a respected luthier, repairing countless fiddles and bows, and enjoyed trading and selling instruments throughout his life. He was a teacher for the Missouri Folk Arts Program and, later in his life, traveled nationally to teach at fiddle camps. 

Keeping with family tradition, Fred passed his love of fiddling to his own children, Luke and Alita Stoneking. Both kids learned fiddle and guitar around the age of 10 and enjoyed traveling to fiddle contests. Fred was often accompanied by his daughter, Alita, on the guitar at jams and fiddle contests, and together they recorded the album, Saddle Old Spike. Alita is still very active in fiddling, and has developed her own distinct style of bowing, a mix of both Lee and Fred’s styles can be heard in her playing. She has competed nationally and taught many students and at camps over the years.  

The Stoneking family will always be remembered for their contributions to old time music, and for their repertoire of fine fiddle tunes, many passed down from one generation to the next.

Contestants at the Lee Stoneking Memorial Fiddle Contest were evaluated by a panel of experienced judges (Rick Turpin, Wes Westmoreland, and Mark Ralph) based on criteria such as technique, expression, originality, and overall performance. The scoring process ensured fair assessment and recognition of each participant’s talents. The event aims to celebrate traditional music and provide a platform for emerging talents, and they did not disappoint. 

The contest was open to fiddlers of all skill levels, with categories designed to accommodate both beginners and advanced players. Participants were encouraged to showcase their unique styles and interpretations of fiddling.

And the winners were:

Junior Division

1. Sidney Cantrell
2. Kylah Harris
3. Carolina Land
4. Jenna Dabbs
5. Allison Redburn
6. Josh Letterman
7. Drake Letterman

Senior Division

1. Dennis Prichard
2. Gerry Lay
3. Jeff Michel
4. Richard Harness
5. Ricky Allen
6. Tim Warden

Open Division

1. Dennis Ludiker
2. Bubba Hopkins
3. Cal Hopkins
4. Monte Gaylord
5. Trustin Baker
6. Tom Weisgerber

Accompanist Division

1. Anthony Mature
2. Tom Weisgerber
3. Cody Marriott 
4. Tanner Marriott
5. Monte Gaylord
6. Robert Mackey

What does the future hold for this contest? In the quest for fiddling greatness, the collaborators, Junior Marriott, Alita Weisegerber (Lee Stoneking’s granddaughter, a fourth generation champion fiddler), and Anna Lang could eye potential collaborations with music schools and local arts organizations. Imagine workshops led by our talented judges leading up to the contest. Or perhaps a fiddle flash mob in the town square to get everyone pumped up.

Partnerships could also help attract bigger sponsors, allowing the red carpet to be rolled out for our contestants. Don’t just take my word for it; the attendees have spoken! Interviews conducted post-event revealed that 90% of participants enjoyed the competition, and wanted to see it become an annual tradition. Several declared that the vibe was electric, filled with laughter, applause, and the occasional “Yeehaw!” from the crowd.

As all enthusiasts are aware, a thriving music scene is like a perfectly tuned fiddle—when the strings are tight, everything sings! As the saying goes, “The more, the merrier,” and trust us, everyone wants a reason to bring out their own fiddle.

If you missed it, don’t worry, the Lee Stoneking Memorial Fiddle contest will be back in 2026.

The post Lee Stoneking Memorial Fiddle Contest debuts in Missouri appeared first on Bluegrass Today.

The Purple Hulls at the 2025 Family Band Fest in Guthrie, OK – photo © Pamm Tucker

Family Band Fest, a beloved annual celebration of bluegrass music and togetherness, recently geared up to commemorate its milestone 10th year. This joyous event brings families and music lovers together from near and far in a harmonious fusion of melodies and memories. As the festival marks a decade of rhythm and revelry, it stands as a testament to the power of music to unite communities and create lasting bonds. 

Family Band Fest is not your average music festival. From parent-child duos to multi-generational bands, this event is all about showcasing the power of music to unite and create lasting memories.

Started a decade ago by a couple of music-loving families, The Russell Clan and Wayne Murphy, the event began as a small gathering in the Cottonwood Flats with only a handful of musicians. The idea was simple: to provide a platform for families to share their musical talents and bond through music. With each passing year, more families joined in, and the festival gained recognition for its wholesome vibe and talented performers. From humble beginnings to a beloved community tradition, Family Band Fest has come a long way.

To mark its 10th year, Family Band Fest pulled out all the stops, and the lineup was jam-packed with talent.

The 2025 Ozark Mountain Music Association winner, Verdigrass, kicked off the opening ceremonies on Friday. With natural harmonies, Verdigrass utilized their skills both playing and entertaining. Followed by power-driven Cynthia Ridge, the festivities on Friday night set the stage for the weekend. These two bands embodied the spirit of the festival, with music lovers expecting a diverse range of performances that left them wanting more.

Saturday evening, Pearl Grace & Co took center stage with a testimony of faith that resounds with their pure harmonious voices, and skill at playing multiple instruments. Headliners for the weekend were The Purple Hulls. The festival was topped off with a Sunday service featuring The Russell Clan opening for The Purple Hulls.

The Family Band Fest brought the community together, fostering a sense of unity and harmony among residents of all ages. With opportunities for families to bond over music and creativity, the festival strengthens social ties and creates lasting memories for everyone involved.

In addition to the headlining acts, Family Band Fest is dedicated to shining a spotlight on local talent, as well as those who travel in. From up-and-coming young musicians to seasoned veterans of the local music scene, the festival provides a platform for artists of all ages and backgrounds to showcase their skills, and connect with the community. Families could be seen together in interactive workshops, talent showcases, and enjoying the camaraderie all weekend.

Beyond the music and merrymaking, the Family Band Fest also plays a key role in boosting the local economy and enhancing the social fabric of the region. By attracting visitors, supporting local businesses, and promoting cultural exchange, the festival enriches the region in more ways than one. With plans for expansion and continued growth, the festival aims to reach new audiences, offer more diverse programming, and create even bigger waves of musical magic in the years to come.

As the 10th year of Family Band Fest draws to a close, the echoes of laughter, music, and shared experiences linger in the air, leaving behind a tapestry of cherished memories. The festival’s legacy of family and musical fun continues to resonate, promising many more years of joy and fellowship ahead.

Here’s to the past decade of harmony, and the exciting adventures yet to come at The Family Band Fest.

The post The 10th annual Family Band Fest appeared first on Bluegrass Today.

Phillip Wilson with Cliff Top at the Folds of Honor Vino & Valor fundraiser – photo © Pamm Tucker

A local bluegrass band in Oklahoma City, Cliff Top, recently had the opportunity to perform at a prestigious Folds of Honor event, in support of an organization in service to fallen military members. It was not just a chance to showcase their musical talents, but a moment of great honor and pride for the six-piece band. As they prepared to take the stage at this meaningful ceremony, Cliff Top’s journey and the significance of their performance highlighted the power of music to unite, inspire, and pay tribute to those who have sacrificed for our country.

Founded with a noble mission, Folds of Honor is dedicated to providing educational scholarships to the spouses and children of fallen or disabled service members. Their unwavering support for military families is truly commendable, ensuring that those left behind are not forgotten, and that they and their families receive the help they need to pursue their educational dreams.

The Folds of Honor fundraiser, Vino & Valor, was held in the vibrant city of Oklahoma City. Set against the backdrop of support for military families, this event promised a night filled with heartwarming performances, inspiring stories, and a sense of community like no other. I was delighted to be invited as a representative of Bluegrass Today (in fact Bluegrass Today was the only media coverage at the event).  

Cliff Top is known for their story-telling originals, infectious harmony, and toe-tapping sounds. For them, the opportunity to perform at the Folds of Honor event was not just another gig – it was an opportunity to honor those who have served their country with bravery and sacrifice. Reflecting on their own musical journey, from humble beginnings in small-town gigs to the bright lights of Oklahoma City, the band understood the significance of this performance. With each note they played, Cliff Top paid tribute to the heroes who have protected and defended their nation.

Folds of Honor has chapters all over the United States, each raising money for distribution in their communities, in addition to what the national group can provide. On such is located in Oklahoma City, and it was their event where Cliff Top entertained.

The national 501c3 holds several fundraisers annually. Since its inception in 2007, Folds of Honor has awarded nearly 62,000 scholarships totaling over $290 million across all 50 states. Among the students served, 45 percent are minorities. It is rated a four-star charity by Charity Navigator ,and Platinum on GuideStar. Their motto says it best: “Honor Their Sacrifice. Educate Their Legacy.”

The kickoff for 2025 was held in March in OKC, with each table draped in white linen with seating for eight. They held a silent auction, as well as a live auction, with massive donations from across the world. From  the beginning I was awestruck.

Joe Everson, known as the singing painter, performed a spine tingling rendition of God Bless America while painting an American eagle upside down. It was quite something to see.

Cliff Top was selected to perform at the Valor & Vino fundraiser/event based on their musical talents, community involvement, and dedication to honoring and supporting military causes.

The band has played at the Telluride Bluegrass Festival, the Oklahoma International Bluegrass Festival, as well as numerous smaller venues. Always releasing new music, Cliff Top most recently worked with Chip Davis (former pianist for Alabama) at the helm, who produced their latest release, People Get Ready. The title track is their grassed up version of Curtis Mayfield’s 1965 hit song, sung by guitarist Phillip Wilson, known for his performances at small churches throughout the state of Oklahoma.

Cliff Top is one of those bands that you need to stay on top of, because they will take you to the top with their talent.

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